Non-decisive moments. Another Take on Lithuanian Photography
非決定性瞬間：立陶宛攝影的另一面
In 1991 the People’s Republic of China recognized the statehood of Lithuania, thus today we commemorate the 25th anniversary of diplomatic cooperation between the countries. On this occasion, there is an intention to not only introduce classical Lithuanian photography, the golden age of which is considered to be the 1960s and 1970s, but also to show the art processes that took place during the period of regaining independence and those that are taking place at the moment.
1991年中華人民共和國正式承認(rèn)立陶宛獨(dú)立，今天我們將紀(jì)念兩國建交25周年。值此之際，我們不僅想要介紹20世紀(jì)六十、七十年代這段黃金年代的立陶宛經(jīng)典攝影，同時(shí)，我們也想展示在我們國家重新獲得獨(dú)立時(shí)期的藝術(shù)進(jìn)程與發(fā)展。
The exhibition Non-decisive moments. Another Take on Lithuanian Photography presents works where, differently than in classical photography, an image is not “caught” by simply walking down the street; it emerges passively while slowly observing the environment, or is constructed out of various images not necessarily created by an artist himself. In other words, an idea is shaped in the mind and only later it is realized using photographic media. Three exhibitions displayed in the Inside-out museum contain works ranging from those created as far back as the end of the 19th century to those made nowadays. Exhibitions spreading over three museum floors will provide viewers with the possibility to get to know the most conceptual part of Vitas Luckus’creative work and images revealing the break-through of Lithuanian photography that took place at the juncture of the 1980s and 1990s as well as the reverberation of aesthetics formed in those days in modern photography. The third exhibition will introduce works of artists who use the creative strategy of appropriation.
“非決定性瞬間：立陶宛攝影的另一面”這個(gè)展覽展現(xiàn)的是不同于經(jīng)典攝影的作品。這些攝影作品不是輕易地被隨意捕捉到的;它是在緩慢觀察環(huán)境的過程中被動(dòng)發(fā)生的，或是由多種圖像構(gòu)造出來而并不一定是源于藝術(shù)家自己的創(chuàng)造。換句話說，一個(gè)概念首先是在腦海中成形而后才被認(rèn)識(shí)到可以用攝影這個(gè)媒介來展現(xiàn)它。在中間美術(shù)館展出的三個(gè)展覽包含了從19世紀(jì)末開始一直到現(xiàn)代的攝影作品。覆蓋美術(shù)館三層空間的本次展覽將會(huì)為觀眾提供一個(gè)機(jī)會(huì)，去了解維塔斯?盧卡斯最富有概念性和創(chuàng)造性的攝影作品、在20世紀(jì)80年代和90年代交界的立陶宛攝影上的突破性作品，以及這些形成于當(dāng)時(shí)年代的攝影美學(xué)在現(xiàn)代攝影中的反射。其中第三個(gè)展覽將介紹一些運(yùn)用創(chuàng)意性策略的藝術(shù)家的攝影作品。
The exhibition introduces the following artists:
展覽將介紹以下藝術(shù)家：
Vytautas Bal?ytis, Violeta Bubelyt?, Alfonsas Budvytis, Geist? Kin?inaityt?, Stanislovas Kazimieras Kosakovskis, Arūnas Kulikauskas, Vitas Luckus, Alvydas Lukys, Aurelija Maknyte, Algimantas Maldutis, Algirdas Musneckis, Aleksandras Osta?enkovas, Remigijus Pa??sa, Gytis Skud?inskas, Vytautas V. Stanionis, Algirdas ?e?kus, Virgilijus ?onta, Remigijus Treigys, Gintautas Trimakas, and Gintaras Zinkevi?ius.