燦藝術(shù)中心簡(jiǎn)介
　　A Brief Introduction of Can Art Center

　　燦藝術(shù)中心(Can Art Center)位于北京798藝術(shù)區(qū)北區(qū)，總面積達(dá)1100平方米，具備不可多得的巨大空間和一流的展示效果，擁有主展區(qū)、VIP展廳、辦公區(qū)、休息區(qū)等區(qū)域，集舉行各種展覽和活動(dòng)的專業(yè)功能于一身，是798藝術(shù)區(qū)最具規(guī)模和最具重要地位的本土畫廊之一。The Can Art Center is located in the north district of Beijing 798 Art Zone. With a total area of 1100 square meters, this gallery has a huge space and the first class exhibition effect. In this gallery, there are the main exhibition area, the VIP exhibition hall, the office area, the rest area, and so on, and the gallery has integrated functions of holding all kinds of exhibitions and activities, and it is one of the local galleries with the biggest scale and the most important status.

　　憑籍自主策劃的傳統(tǒng)優(yōu)勢(shì)，燦藝術(shù)中心以展覽『中國當(dāng)代?差異的格局』為序幕開業(yè)于2007年9月1日，是北京畫廊業(yè)先驅(qū)李劍光先生創(chuàng)建的第二家現(xiàn)代藝術(shù)畫廊，它的前身為1992年成立的北京世紀(jì)藝苑美術(shù)中心（Century Art Center），是一家最早以專業(yè)方式運(yùn)作的高品質(zhì)畫廊，該畫廊在艱難的市場(chǎng)環(huán)境下成功代理了多位90年代重要和知名的杰出藝術(shù)家，并自那時(shí)以來舉辦了諸多重要的展覽活動(dòng)，為中國藝術(shù)市場(chǎng)迎來今天的繁榮局面做出了不可替代的貢獻(xiàn)，直至今天不僅積累了大量的重要收藏，同時(shí)，也為新畫廊的發(fā)展提供了很多珍貴的資源和十多年的成熟經(jīng)驗(yàn)。Depending on its traditional advantage of planning by itself and with the exhibition of ''Contemporary China?Pattern of Discrepancy'' as the prelude of its b usiness opening, the Can Art Center is the second modern art gallery founded by Li Jianguang, a pioneer of Beijing gallery circle, and the precursor of this gallery was the Beijing Century Art Center, established in 1992, which was the gallery operated the earliest in the professional way. In the hard market environment, this gallery had successfully deputized for many important and famous artists in 1990s, and, since then, had held a lot of important exhibition activities, and hence had made irreplaceable contributions for today's prosperous situation of China's art market. Till now, it has not only accumulated numerous important collections, but also provided a lot of precious resources and more than ten years’ matured experience for the development of the new gallery.

　　經(jīng)過06年『中國油畫15年1990——2005』的展覽整理與回顧，世紀(jì)藝苑繼續(xù)朝著推出卓越藝術(shù)家的方向努力，策劃舉辦了關(guān)鍵『來自曠野的張力』、蔣叢憶『亂』、潘鉞『恍若隔世』、趙光臣『未來之樹』……頗受專業(yè)領(lǐng)域和市場(chǎng)肯定的藝術(shù)家個(gè)展，迄今執(zhí)著的努力和創(chuàng)造，使今天的燦藝術(shù)中心吸引了更多當(dāng)代最有價(jià)值的杰出藝術(shù)家，還不斷聚集了最具發(fā)展?jié)摿Φ乃囆g(shù)新人，構(gòu)成了極具優(yōu)勢(shì)的代理、合作藝術(shù)家隊(duì)伍，憑借著出色的專業(yè)素質(zhì)、雄厚的資金實(shí)力和新穎的理念，燦藝術(shù)已經(jīng)再一次贏得當(dāng)代藝術(shù)同行、當(dāng)代藝術(shù)愛好者與收藏者的高度認(rèn)同和廣泛關(guān)注。With the sorting and retrospection of the exhibition of “Fifteen Years of China’s Painting: 1990—2005” in 2006, the Century Art Center continued to work hard to push out excellent artists and planned and held “The Tension from the Wild—Solo Exhibition of Guan Jian”, “Chaos—Solo Exhibition of Female Painter Jiang Congyi”, ““As If Previous Generation—Photography Works Exhibition of Pan Yue” and “The Future Tree—Solo Exhibition of Zhao Guangchen”… The solo exhibitions of artists which were highly appreciated by the professionals and the market, as well as the continuous hard working and creations till today, all these make Can Art Center attract more most valuable contemporary artists, and, meanwhile, ceaselessly concentrate art new-comers with the biggest potential of development, so as to have formed the surrogate and cooperation artists group with huge advantages. Depending on outstanding professional quality, powerful strength of capital and novel concepts, the Can Art Center has again won the highly recognition and wide attention of the counterparts, lovers and collectors of contemporary arts.