費(fèi)大為

中國(guó)最重要的當(dāng)代藝術(shù)評(píng)論家和策劃人，自八十年代開(kāi)始投入中國(guó)當(dāng)代藝術(shù)的發(fā)展，最早將中國(guó)當(dāng)代藝術(shù)推向國(guó)際舞臺(tái)，對(duì)中國(guó)和國(guó)際的當(dāng)代藝術(shù)之間的交流和對(duì)話作出了重要的貢獻(xiàn)。

1954年生于上海；1985年畢業(yè)于中央美術(shù)學(xué)院美術(shù)史系并留校任《美術(shù)研究》雜志編輯；1986年-1987年接受法國(guó)文化部造型藝術(shù)局的邀請(qǐng)?jiān)诜▏?guó)講學(xué)、工作；1987年開(kāi)始參加蓬皮杜藝術(shù)中心的國(guó)際展覽《大地魔術(shù)師》展覽的籌備工作，負(fù)責(zé)中國(guó)藝術(shù)家的選擇工作。該展覽第一次提出了藝術(shù)全球化的理念，是當(dāng)代藝術(shù)歷史上劃時(shí)代的展覽。自1989年移居法國(guó)后，費(fèi)大為策劃了許多具有重要國(guó)際影響力的展覽，包括著名的《獻(xiàn)給昨天的中國(guó)明天》（1990年法國(guó)）、《非常口》（1991年日本）、《亞細(xì)亞散步》（1994年，1997年日本）、《在界限之間》（1997年韓國(guó)）、《里里外外》（2004年法國(guó)）、《'85新潮—第一次中國(guó)當(dāng)代藝術(shù)運(yùn)動(dòng)》（2007年中國(guó)）、《占卜者之屋》（2008年中國(guó)）；此外，費(fèi)大為也在世界各地從事各種學(xué)術(shù)研討交流活動(dòng)；1999年獲法國(guó)政府文化藝術(shù)騎士勛章，2002年至2008年任尤倫斯基金會(huì)主任，并在北京創(chuàng)辦尤倫斯當(dāng)代藝術(shù)中心；2008年，成為獨(dú)立策劃人和批評(píng)家。

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Fei Dawei

Fei Dawei is the most important contemporary art critic and independent curator, since the eighties, Fei Dawei has devoted into the work on promoting Chinese contemporary art and also introduced Chinese contemporary art to the world as well as made a great contribution to create a dialogue between the world of Chinese art and that of the West. 1954, born in Shanghai, China; 1985, graduated from the Beijing Central Academy of Fine Arts with a Bachelor’s in Arts, majoring in History of Art; 1985-1989, editor of the Fine Art Research magazine of the Beijing Central Academy; 1986, invited to work with the Department of Plastic Arts of the French Ministry of Culture as a visiting scholar First introduced Chinese contemporary art to a worldwide audience; 1987-1989, advised the curators of the Magiciens de la Terre exhibition at the National Museum of Contemporary Art in Paris, France(also known as the Centre Pompidou)Responsible for the selection of Chinese artists. Since moving to France in 1989, he initiated many exhibition with worldwide influence ,such as "China Tomorrow for Yesterday" (1990 in France), "The Exceptional Passage" (1991 in Japan), "Promenade in Asia" (1994, 1997 in Japan), "In Between Limits ( Korea, 1997), "All Under Heaven" (2004 in Belgium), "The Monk and the Demon" (2004 in France), '85 New Wave "(2007 China)," House of Oracles "(China 2008) etc.. are marked in the history of art in China; in addition, he engaged in all kinds of academic researches and exchange activities around the world; 1999, was awarded the title of “Chevalier des Arts et des Lettres” (Knight of Art and Culture) by the French Ministry of Culture; 2002-2008, founding director of the Guy & Myniam Ullens Foundation, and planned and established the Ullens Center for Contemporary Art(UCCA)in Beijing 798 Zone; From 2008, becoming an art critic and independent curator.