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建筑突變 “Mutant Architecture” _ Audrey Salmon Solo Exhibition
Exhibition Date: 29th. March. 2008- 21st . April . 2008
Opening Reception: 29th . March . 2008 / Sat 3:00pm – 7:30pm
Address: FakeSpace北京虛空間 / 北京市朝陽區(qū)百子灣路32號(hào)蘋果社區(qū)（北區(qū))3B-111 郵編100022
Room111,Building3B, PingGuoSheQu, 32 Baiziwan Rd. Chaoyang Dist. Beijing.
Contact No: +86 10 58264512
Website: www.fakedesign.co.uk
奧黛麗·西門(Audrey Salmon)于1977年出生在法國里昂。
于2001年拿到里昂高等藝術(shù)高等學(xué)校的平面設(shè)計(jì)碩士學(xué)位之后，她就開始了她的創(chuàng)作生涯，而平面設(shè)計(jì)和攝影都是她的表達(dá)媒介。
2007年她參加了意大利設(shè)計(jì)品牌Moleskine為年輕藝術(shù)家舉辦的藝術(shù)創(chuàng)作比賽，并獲得了第三名。
比賽后為獲獎(jiǎng)?wù)叩淖髌放e辦的“Invitation au Voyage”展覽使她有機(jī)會(huì)把她的創(chuàng)作帶到一些亞洲城市做巡展，其中包括香港、新加坡和臺(tái)北。
自2005年起，她開始在北京生活和工作。
來到中國是一份令人難以置信的都市體驗(yàn)，她對(duì)于這個(gè)城市的“歐洲”式的設(shè)想被一種全新的建筑景觀打破和取代。
城市的景觀在 不停的改變，這便是她近期工作背后的靈感源泉。
在這里，人們會(huì)感覺到永恒不斷的位移，因?yàn)椤澳銕缀跤肋h(yuǎn)不知道身在何方，因?yàn)檫@里所有的一切每天都在變化”。
攝影本身在追趕這種都市張力的能力上是存在限制的；而這個(gè)展覽旨在將這個(gè)奇特而迷人的宇宙的點(diǎn)滴重構(gòu)和詮釋為圖像。
生物體本身的變化來自基因的突變，然而在過去幾十年的中國，因?yàn)閯×业慕?jīng)濟(jì)與改革開放，中國的城市面貌也產(chǎn)生了仿彿基因突變的效果。
居民內(nèi)心深處的欲望和危機(jī)感日以俱增，淵遠(yuǎn)流長的文化傳統(tǒng)在城市建構(gòu)參與者的眼中交替與淪陷。
奧黛麗·西門(Audrey Salmon)的 “建筑突變”系列作品展現(xiàn)出一個(gè)旁觀者的記錄并觸動(dòng)觀者的臆想。
在4月20日星期日的下午3點(diǎn)，在FakeSpace虛空間會(huì)舉辦一個(gè)抽獎(jiǎng)活動(dòng)，得獎(jiǎng)?wù)邔⒖色@得藝術(shù)家本人簽名攝影作品一張。請(qǐng)有效填寫現(xiàn)場發(fā)送的表格，并放置在現(xiàn)場的抽獎(jiǎng)箱，即可參與本次活動(dòng)。
Audrey Salmon was born in 1977 in Lyon, France. After graduating from Lyon’s High Institute of Arts with a Master Degree in Graphic Design
2001, she has been engaged in her artistic production, which uses both graphic design and photography as a medium of expression.
In 2007, Audrey participated to Italian designer-stationery brand Moleskine’s competition for young artists, where she won the thirdprize.
This resulted in Audrey’s participation to ? Invitation au Voyage?, an itinerant exhibition which brought her work to a number of Asiancities, in cluding Hong Kong, Singapore and Taipei.
Since 2005 Audrey lives and works in Beijing. Her coming to China was a mind-boggling urban experience, as her ‘European’ vision of the city was shattered and replaced by a new kind of architectural landscape.
This was the source of inspiration behind her most recent work, which sees the urban landscape as an entity in perpetual mutation.
People experience a feeling of constant displacement, as ‘you almost never know where you are, just because from a day to another everything has changed’. Photography itself poses limits to the ability to catch that urban intensity; this exhibition, therefore, aims to recompose, and translate into images, the fragments of this strange and fascinating Universe.
建筑突變—FakeSpace北京虛空間
英倫惡童
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