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    2009北京798藝術(shù)節(jié) 澳門周
    藝術(shù)中國 | 時間: 2009-08-20 14:30:16  | 文章來源: 藝術(shù)中國

     

    《玩?風(fēng)景》3.0

    “Playing Landscape” 3.0

    時間:2009.10.9, 17:30

    2009.10.10, 17:30 19:00

    2009.10.11, 17:00

    地點(diǎn):798藝術(shù)中心(706大廠房)

    編導(dǎo):蔣禎耘

    水墨多媒體/表演者:吳少英

    編舞/表演者:郭瑞萍

    音樂/表演者:楊光奇、Cult_Loc

    監(jiān)制:鄺華歡

      監(jiān)作:凹凸制作

     

    《玩?風(fēng)景》是真人表演者與水墨多媒體錄像的一場戲劇性的對話,過程中將產(chǎn)生一連串傳統(tǒng)與當(dāng)代藝術(shù)的撞擊,形成一幅沒有框架的無限幻想風(fēng)景。傳統(tǒng)的水墨繪畫不再僅限勾勒于紙張之上,反而躍然于現(xiàn)代科技的投影幕上,看見的不再是繪畫完工的結(jié)果,而是水墨流動的過程,這是第一層突破傳統(tǒng)的當(dāng)代藝術(shù)。再者,作品深入進(jìn)行第二層的前衛(wèi)探索,打破多媒體「影像時間」,并與「劇場空間」的豐富元素融合(如燈光、布景、服裝和表演者),賦予觀者更多的感官體驗(yàn)。在水墨多媒體身體劇場的形式之下,希望突破傳統(tǒng)再創(chuàng)新,并傳達(dá)人文與科技的感性和理性,以及兩者自由運(yùn)用、相互交疊影響的無限可能。

    《玩?風(fēng)景》首次于2008年11月在臺北上演。當(dāng)時的作品強(qiáng)調(diào)人的轉(zhuǎn)念過程,可以在城市的鋼筋水泥中體會出另類的美感。2009年4月于澳門的 2.0 版則不同于之前在正規(guī)劇場的作業(yè)方式,選定兩處特色空間 : 多空間間隔的天臺酒吧和兒童游泳池,并直接跳入人與風(fēng)景的自由對話,運(yùn)用水墨多媒體、現(xiàn)場音樂和即興舞蹈主要元素,在原本的風(fēng)景之上營造成熟又頑皮的氛圍,堆疊出更豐富創(chuàng)新的風(fēng)景。

    是次《玩?風(fēng)景》3.0 版的實(shí)驗(yàn)組合,除原有班底澳門水墨多媒體畫家吳少英、臺北導(dǎo)演蔣禎耘及于加拿大現(xiàn)代舞團(tuán) La La La Human Steps 任音樂總監(jiān)的澳門音樂家楊光奇外,更邀請了北京「飯劇團(tuán)」參與演出,三地共同打造屬于北京的《玩?風(fēng)景》3.0 版 。

     

    Date:17:30, Oct.9, 2009

    17:30 19:00, Oct.10, 2009

    17:00, Oct.11, 2009

    Venue:798 Art Center (706 Hall)

    Director:Hope Chiang

    Multi-media Water Ink/ Performer:Cindy Ng

    Choreographer/ Performer:Candy Kuok

    Music/Performer: Njo Kong Kei, Cult_Loc

    Producer:Erik Kuong

    Production:Out To Production (Macao)

    “Playing Landscape” is a dramatic dialogue between performers and the multi-media ink video, there will be a series of collisions between traditional and modern arts during the process, which creates a frameless imaginative landscape. Traditional ink painting will not be constrained on paper anymore, but will appear on a screen with modern technology. What we see is not the result of the painting, but the flow of the ink. This is the first layer of breaking through the tradition with modern arts. Moreover, the piece is going to dig into the second layer, breaking through the time frame in multi-media, and fuse with rich elements (like lighting, set, costume and performers) in the theatre, which provide the audience with more sensual experiences. Under the form of multi-media physical theatre with ink, we hope to break through traditions and innovate, transmit the sensitivity and rationality between human and technology, make use of the two elements freely, and the possibilities of overlapping them.

    “Playing Landscape” was first shown in Taipei in November 2008. The piece emphasizes on the process of changing thoughts in human, in which one can feel the alternative beauty from steel and concrete in the city.

    In April 2009 at Macau City Fringe Festival, presented version 2.1 and 2.2. The difference between the Macau version and the Taipei one is that we have chosen two special places and jump directly into the free dialogue between man and scenery. Making use of the ink multi-media, live music and improvisational dance movements as main elements, a mature and mischievous atmosphere based on the original scenery is created, stacking a rich and innovative scenery.

    In Playing Landscape 3.0, a theatre group “Fan Troupe” from Beijing is invited to join this project to elaborate a new Beijing version.

    to present the sensorial site-specific dance theatre “Kafka Listening to the wind”.

     

     

    體驗(yàn)澳門當(dāng)代藝術(shù)@798

    Experience Macao Contemporary Art@798

    裝置|錄像

    時間:2009.10.10 – 10.18

    行為藝術(shù)|當(dāng)代音樂|搖滾音樂

    時間:2009.10.10,15:00-21:00

    地點(diǎn):798藝術(shù)中心(706大廠房)

    Installation| Video

    Date: Oct.10 – Oct.18, 2009

    Action Art | Modern Music | Rock & Roll

    Date: 15:00-21:00, Oct.10,2009

    Venue: 798 Art Center (706 Hall)

     

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