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    [專稿] 今夕何夕—陳農(nóng)·李悅攝影展

    藝術(shù)中國(guó) | 時(shí)間: 2007-06-01 09:40:19 | 文章來(lái)源: 藝術(shù)中國(guó)


    陳農(nóng)登月組照(1)

     

    今夕何夕——陳農(nóng) ?李悅攝影展

    開(kāi)幕時(shí)間: 2007 年6月2 日,星期六 下午 3 : 00PM

    展覽時(shí)間: 2007 年6月3 日至2007 年7 月1 日

    展覽地點(diǎn):北京市朝陽(yáng)區(qū)酒仙橋路 2號(hào) 798大山子藝術(shù)區(qū) 2號(hào)院 潛 ?空間(紅門畫廊對(duì)面)

    聯(lián)絡(luò)電話: 010 64337416 \ 13911195654

    參展藝術(shù)家及攝影作品簡(jiǎn)介 :

    李 悅    出生于1979.12

        1996-1999   考入湖北省藝術(shù)學(xué)校音樂(lè)專業(yè)

        2000-2002   考入中央戲劇學(xué)院導(dǎo)演系大專班 ?

        2002-2004   考入北京電影學(xué)院攝影本科專業(yè)

        現(xiàn)居北京自由藝術(shù)家 

        “我看李悅的作品,除了有一種愉悅之外,更多的是一種悲情的流露,那悲情都是個(gè)體的孤獨(dú),更是共性的失落。在我們游走的世界,許多美麗的東西被丟失,被不經(jīng)意間忽視,我們似乎永遠(yuǎn)也找不到安全地帶降落,也找不到不結(jié)束的游戲。

        無(wú)論是降落傘,還是海豚,都是李悅喜歡的玩具,他用自己喜歡的玩具演繹著他的內(nèi)心生活,表達(dá)著生命的得失。降落傘從天空落下,落在哪里說(shuō)不清。海豚在水里飛,偶爾浮出水面,落下時(shí)是否還能回到原來(lái)的水面?這世界在不經(jīng)意間改變,人類最大的痛苦也在不經(jīng)意間流露出來(lái)。”            

    陳 農(nóng)   生于1966 年,祖籍福建   1998年開(kāi)始攝影   1990—1997年從事雕塑

    展覽:

        2005年,意大利羅馬攝影節(jié)

        2006年, [兵臨城下攝影展 ] 大山子 798

        2007年,《在》 —陳農(nóng)攝影個(gè)展

    主要作品:《紫禁城》、《三峽》、《登月》

    作品收藏:瑪勃洛畫廊、紐約現(xiàn)代美術(shù)館 MOMA 、芝加哥畫廊 

    “《登月》這組圖片依然是以兵馬俑為主要拍攝對(duì)象,整個(gè)隊(duì)型及其背影跟西安出土的兵馬俑的隊(duì)型一樣。兵馬俑全部閉著眼睛,給人一種即現(xiàn)實(shí)又虛幻的感覺(jué)。宇航員作為一個(gè)特殊符號(hào)在月球上出現(xiàn),視覺(jué)上與兵馬俑的對(duì)照形成了錯(cuò)位和統(tǒng)一感。四張圖片連在一起就是月球的表面。這組圖在告訴我們,當(dāng)宇航員登上月球的時(shí)候,兵馬俑早已在上面了,人類欲望的膨脹沒(méi)有疆界。

    陳農(nóng)的攝影作品就像他的名字一樣,總有一種塵埃之氣,人類在宿命中承載著過(guò)去和未來(lái),他的作品與其說(shuō)人類沒(méi)有未來(lái),倒不如說(shuō)人類一天天在倒退。

    前方?jīng)]有天堂,天堂在走過(guò)的地方。”

                                               

    TODAY OR TOMORROW

    CHEN NONG AND LI YUE PHOTOGRAPHY SHOW

     

    Opening Reception: June 2, 2007, 3:00PM-6:00PM

    Exhibition Time: June 2 to July 1, 2007

    Venue: Potential Gallery 798 Dashanzi art center , No.2 Jiu Xianqiao (Opposite to Red Gate Gallery )

    Contact: 010 64337416/ 13911195654 

    A BRIEF INTRODUCTION OF THE ARTISTS: 

    CHEN NONG, born in 1966, Fujian Province

    1985 Started painting creation, then sculpting for 7 years

    2000 Started photography art in Beijing

    Major Photography Work Series:

    《Forbidden City 》、《Three Gorges 》、《Climbing to Moon 》

    Exhibition :

     2 005, Rome Photography Festival, Italy

     2006, "The Attacking Army Has Reached the City Gates" Photo Exhibition, 798Dashanzi Art Center, Beijing

     2007, Chen Nong Photo Solo Show in Chicago, USA

    Major Photography Work Series: 《Forbidden City 》、《 Three Gorges 》、《 Climbing to Moon 》
    Collection by: Marlborough Gallery , M OMA Museum of Modern Art in NYC, Chicago Gallery of USA etc. 

        " 《 Climbing to Moon》 series work by Chen Nong used warriors again in the photograph. The whole formation of Warriors in the work, as well as background, remains the same as that in Xi'an (the ancient site). The warriors close their eyes in the picture, giving a feeling that is both real and fictional. Astronaut, as a special symbol, appears in the Moon; it results in a contrast with warriors from visual point of view, thus form a feeling of both integration and false position. The four works linked together are just the surface of the Moon. When astronaut climbs to the Moon, warriors have been found to be there already. Human's desire extends no limit.

        Chen Nong's photograph is just like his name, always filled up with a style of flowing dust. The destiny of Human carries both the past and future; his work rather delivers that Human deteriorate each day, than that Human have no future.       

    There is no Heaven ahead of us, Heaven is in which we passed by." 

    Li  Yue   born in 1979.12

    1996-1999  Studied in the Music Dept. of Hubei Art School

    2000-2002  Studied in the Directing Dept. of Central Academy of Theatre ?

    2002-2004  Studied in the Photography Dept. of Beijing Film Institute

    Now resides in Beijing as an independent artist             

        "My impression on Li Yue's work is rather an expression of melancholy, than an enjoyment. It is a more commonality of loss, not just an individual solitude. Today, many beautiful things have been elapsed, neglected unconsciously from the world, while his work seems to us as if we could never find a safe place for parachuting, neither an endless game.

        Whether it is a parachute, or dolphin, is Li Yue's favorite toy. He illustrates his inner life with his toys, expressing the gain or loss in life. It is unclear where the parachute lands from sky. Dolphin flies in the water, sometimes jumps over the water. Would it return to the original place of water after jumping? This world is changing unconsciously, while the big pain of Human has been streamed out simultaneously."    

     


     



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