二零零一年畢業(yè)于法國(guó)巴黎第八大學(xué)造型藝術(shù)系,獲學(xué)士學(xué)位..

二零零二年攻讀法國(guó)巴黎第八大學(xué)造型藝術(shù)系碩士學(xué)位.作品《河塘》被美國(guó)銀行收藏。

二零零三年在Les choux voyageurs畫廊舉辦個(gè)人畫展.作品《風(fēng)景（3號(hào)）》、《風(fēng)景（5號(hào)）》、《風(fēng)景（8號(hào)）》分別被德國(guó)、瑞士、法國(guó)收藏家收藏。

二零零四年獲得法國(guó)巴黎第八大學(xué)造型藝術(shù)系碩士學(xué)位，作品參加法國(guó)當(dāng)代現(xiàn)代藝術(shù)展,法國(guó)獨(dú)立沙龍展.作品《風(fēng)景（14號(hào)）》被瑞士收藏家私人收藏。

二零零五年于意大利威尼斯市,參加威尼斯藝術(shù)家聯(lián)展.

二零零六年攻讀法國(guó)巴黎第八大學(xué)造型藝術(shù)系博士學(xué)位作品參加在巴黎大宮舉辦的法國(guó)獨(dú)立沙龍展,秋季沙龍展.在法國(guó)勃艮地大區(qū)奧爾賽市舉辦個(gè)人畫展,在法國(guó)奧比涅市佛朗索瓦一世畫廊舉辦個(gè)人畫展,在巴黎Art present 畫廊舉辦畫展

二零零七年參加法國(guó)巴黎蕾世流拍賣會(huì),參加中韓建交名家邀請(qǐng)展,第四屆青島藝術(shù)博覽會(huì)(特邀).

作品被法國(guó)、德國(guó)、瑞士、美國(guó)藝術(shù)收藏家收藏,國(guó)內(nèi)外報(bào)刊做過專題報(bào)道.

Depart---- Tian Ye’s Exhibition Circuit of New Works 2008

Curator: Zhao Li

Exhibition Director: Fu Shuming, Du Fang:

Executive: Ma Yan

Opening: 4:30pm, 25th September, 2008

Date: 25th September, 2008----1st October

Venue: 1F, Shanghai Duolun Museum of Modern Art

Present by: Shanghai Duolun Museum of Modern Art

Beijing Art Museum of Imperial City

Francois I of France galleries

On this Exhibition there are 19 easel works in which we can see the figures like Traffic sign, Tiananmen, Siheyuan and so on. The artist carried out these works when he was in France recent two years. The color using full of artist’s own style and that was a great transition and also quest for art language. The new works will must be a great surprise to the contemporary art world in China.

“Depart” suggested not only an unknown art way, but also the restart after the artist’s “spending ten years to mold a good sword” in France.

This time exhibition involves three cities that are Beijing, Shanghai and Paris. This is the third stop after Beijing, Paris show, and we look forward his new works be presented in Shanghai Duolun Museum of Modern Art on 25th September.

The signs like McDonald are positive quote from a great number of city signs which represent consumption society. The intensity of these signs depend on not only the attribute themselves but also the universality in daily life. It also depends on the recognition by cities.

The artist also used some traffic signs which possesses visual completeness and unitarity, meanwhile, they reflects the characteristic of region, culture, and time. However, traffic signs are different from the commercial signs. And the quotation of the Traffic signs is a two-tier quotation.

In the city series, there are some culture signs like Tiananmen, Temple of Heaven and so on which are familiar historical bequest for us. In Tian Ye’s works, these do not show the historical meaning but a new relationship between sign and sign in here and now situation.