詩琴／寫文報(bào)道

   

張利在畫室

“藝術(shù)應(yīng)當(dāng)使人更加高尚。”這是發(fā)自張利心聲的共鳴，張利1958年生于北京，76年參軍，79考入解放軍藝術(shù)學(xué)院美術(shù)系，83年畢業(yè)留校任教。現(xiàn)為中國美術(shù)家協(xié)會(huì)會(huì)員，解放軍藝術(shù)學(xué)院美術(shù)系副教授，作品多次參加國內(nèi)國際大型展覽，并有作品獲獎(jiǎng)，及被國內(nèi)外美術(shù)館、畫廊和收藏家收藏。
    以前我常在畫展及畫冊(cè)上看到他創(chuàng)作的作品，其油畫風(fēng)格樸實(shí)典雅，為寫實(shí)主義表現(xiàn)手法，同時(shí)也有寫意的成分，可謂意象寫實(shí)主義畫風(fēng)。
    近日，我來到位于海淀區(qū)張利高大明亮的畫室，此時(shí)他正在充滿真情的創(chuàng)作一幅西藏題材的少女人物油畫，他高高的個(gè)子，純樸文靜的面容，說話時(shí)充滿激情和學(xué)者氣，以及對(duì)藝術(shù)的熱愛。
    他對(duì)繪畫特別的投入，把捕捉到的生活中的真實(shí)的情感通過畫面表達(dá)出來，他常說一幅畫首先自己喜歡才能打動(dòng)觀眾。確實(shí)如此，我深有同感。
    藝術(shù)大師倫勃朗曾說：“比金錢重要的是名譽(yù)，比名譽(yù)更重要的是自由。”是啊！放松的心態(tài)；自由的藝術(shù)；自由的筆觸；自由的色彩；自由的空間才能創(chuàng)造出富有生命力的杰作。從張利的作品中可以看出他受古今中外藝術(shù)家及思想家的影響。張利在創(chuàng)作時(shí)，從來沒有煩惱過，他覺得有耐心，有恒心，也開心。他說繪畫市場的炒作并不重要，首先要把畫畫好。其夫人也非常支持他的創(chuàng)作，所以他能夠全身心的投入。整體看來張利有些作品達(dá)到了前所未有的水平，他以現(xiàn)實(shí)主義的方法和浪漫主義的幻想表現(xiàn)了中國少數(shù)民族少女美麗動(dòng)人的形象。他善于用深沉，渾厚的色彩來表現(xiàn)人物的性格。并采取豐富多樣的繪畫性手法，塑造出形象生動(dòng)、富有力量的形象。他的畫面很少有繁瑣的細(xì)節(jié)描繪，畫風(fēng)剛?cè)岵?jì)，有著非凡的創(chuàng)作性，并富有積極的現(xiàn)實(shí)主義精神。
    我認(rèn)為每位藝術(shù)家在藝術(shù)上都要拿出應(yīng)該有還沒有的東西，獨(dú)領(lǐng)風(fēng)騷，并要在作品中注入人文主義精神的活力。
    記得著名雕塑家羅丹的老師黎科克曾說：“一幅圖畫不一定要漂亮，但是他一定要有感情。”張利創(chuàng)作的油畫《玉妲》人物肖像更是真摯感情的體現(xiàn)和美麗的化身，也表現(xiàn)了他一直以來對(duì)畫中人物的眷戀。

2001年張利在意大利威尼斯

張利畫展簡歷：
    1981年“全國美展”參展；1982年“全國美展”參展；1987年“全國美展”參展；1989年“第一屆中國油畫展”參展，展出后作品被選送日本參展；1989年“第三屆亞洲美展參展，作品被日本福岡美術(shù)館收藏；1990年“土耳其歐亞藝術(shù)展”參展；1991年“北京國際藝苑美術(shù)館建館油畫展”參展；“法國第23屆賓卡涅國際繪畫展”參展；1992年印度“中國油畫展”參展；同年應(yīng)邀赴土耳其參加“歐亞藝術(shù)節(jié)”；1994年香港“國際藝術(shù)博覽會(huì)”參展；1995年阿根延“中國油畫展”參展；1992—1995年參加香港佳士得舉辦的國際拍賣；1998年南非“中國油畫展”參展；2000年在美國紐約大都會(huì)博物館舉辦的“2000年國際肖像繪畫展上獲最高獎(jiǎng)。2004年“北京寫實(shí)畫派油畫展”參展；2005年“中國寫實(shí)畫派油畫展”參展；2006年“中國寫實(shí)畫派油畫展”參展。

2006年張利在甘南采風(fēng)，與藏民小孩合影

Deep-Hearted Devotion-Interview of Oil Painter Zhang Li, Professor with the PLA Art Academy

    “Art should make people lofty.” This is deep rooted in Zhang Li’s heart. Born in 1958 in Beijing, Zhang joined the army in 1976 and enter the Fine Art Department of the PLA Art Academy through examinations in 1979. After graduation in 1983, he worked in the academy as a teacher. Now, he is a member of Chinese Artist Association and a professor of the Fine Art Department of PLA Art Academy. His paintings were frequently exhibited in various domestic and international exhibitions and won prizes many times, many of which were collected by domestic and foreign art museums, galleries and collectors.
    Previously, I often saw his paintings in various exhibitions and picture albums. His style of oil painting consists realism of unadornment and grace, as well as freehand brushwork style.
    Recently, I interviewed him at his large and bright atelier in Haidian District of Beijing. He was working at a painting of a girl in Tibet. The tall and gentle man speaks with excitement and acts in scholar manner, indicating his love to the art.
    He throws himself into his painting and likes to express his feelings he collected from real life through painting. He feels, and so do I, that only the paintings that the painters themselves like can touch audiences, and just the paintings that painters do not want to sell are the paintings people want most to buy.
    Rembrandt noted that reputation is more important than wealth while freedom is more important than reputation. Yes, only those with relaxed minds, free hand and free color in a free circumstance can create arts with strong vitality and freedom. From Zhang Li’s paintings, we can see that he is influenced by domestic and foreign artist thinking. He said he is never annoyed while painting and he is happy with his patience. According to him, speculations in art market is not important and the first thing first is to paint high-quality paintings. His wife also gives full supports to his work, making sound environment for his painting.
    In general, some of his paintings reach his unprecedented high level, expressing the excellent images of women and girls of Chinese minority through his realistic painting style and romantic imagination. He uses deep and thick color to express the characteristics of figures and uses abundant and various methods to create vivid and powerful images. He seldom overelaborates details with great creativity and realism spirits.
    I believe every artist should have his or her unique style and inject humanism to his or her paintings.
    Augeuste Rodin’s teacher Lecongde Boisbaudran pointed out that a painting is not necessarily beautiful, but it must be a feeling painting. Zhang Li’s paintings embody his sincere feelings and demonstrate beauty, showing his love for the figures in his paintings.
Exhibitions Zhang Li Attended:
1981: National Fine Art Exhibition.
1982: National Fine Art Exhibition.
1987: National Fine Art Exhibition.
1989: The first China Oil Painting Exhibition. After the exhibition, his paintings was sent to Japan for exhibitions.
1989: The third Asia Fine Art Exhibition. After the exhibition, his paintings were collected in Japanese Fukuoka Gallery.

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