世紀(jì)末的情人——滕霄個(gè)展

策展人：伊慧

展覽時(shí)間：2009年9月5日--9月11日

開幕酒會(huì)時(shí)間：2009年9月5日下午3點(diǎn)

地址：不同空間美術(shù)館 北京朝陽(yáng)區(qū)北湖渠酒廠國(guó)際藝術(shù)園

ADD: jiuchang ART Complex,beihuqu road,chaoyang district,beijing china (100012)

展覽說明：

滕霄是一位有著深厚學(xué)院藝術(shù)功底和修養(yǎng)的藝術(shù)家，從他的人體創(chuàng)作中便可明顯地感受這一點(diǎn)；與此同時(shí)，滕霄的風(fēng)景畫卻有是另一番景象，充滿著表現(xiàn)主義的沉重和內(nèi)心釋放。前者可能源于他在中國(guó)美院、解放軍藝術(shù)學(xué)院和天津美院的專業(yè)訓(xùn)練，但即便是在這些“學(xué)院派”的藝術(shù)創(chuàng)作中，他也無法掩蓋自己強(qiáng)烈的情緒，略帶變形的人體、姿態(tài)、布局和觀察角度賦予了畫面一種主觀化的理解，而非標(biāo)準(zhǔn)的客觀呈現(xiàn)。正是如此，《世紀(jì)末的情人》系列才可能牽動(dòng)觀眾們?cè)诂F(xiàn)代生活中焦躁的神經(jīng)

Teng Xiao is an artist with a profound academic background of both knowledge and cultivation, which from his creation of the human body we can feel clearly; at the same time, his paintings of landscape are of other stories, full of expressionist heaviness and the release of hearts. The former one may be due to the professional trainings he received at the China Academy of Art, People's Liberation Army Academy of Arts and Tianjin Academy of Fine Arts, but even in these "academic" works of art, he can not cover up his own strong emotions, for under his brush the slightly deformed body, gesture, layout and observation angle all grant the screen a subjective understanding, rather than an objective standard. In this case, "lover at end of the century" series are able to affect the restless nerves of audiences in a modern life.

文\盛葳